However, I wanted to post this for the people who haven’t seen it or who don’t already know about the work of Hanne Bang, as this project introduced me to her, too!

For those that are familiar with what I write, you won’t be surprised to see this. I’m from a military family, have a cross stitch series of anti-war graffiti, and am deeply saddened by what my country is mired in, although do applaud the many kindnesses that have been done by our soldiers without praise or media attention or selfishness.

Growing up my mom always told me, “No one wants peace time like a soldier.” A shortened version of the longer quote by Douglas MacArthur quote.

I’ve been meaning to write this post for awhile now, but recent news events regarding the war have left my heart heavier than it’s been in a long time. And I know, with all my heart, that my mom and MacArthur were right.

Text and photo from here:

This art project is called “In a war someone has to die”.
I am going to find women from all over the world who will be a part of it.

Mail: hannebang444@gmail.com
Website:www.hannebang.com

Plus, how cool are the uniforms in the second photo?

[Note: how much his creation differs from that of German POW Jim Simpson. Not making a political statement, just interesting. Also: I'm not technically sure what the heck the guy above is doing, as it looks more like he's making friendship bracelets than knitting?]

1st and 3rd photographs: Bain Collection, 2nd: Harris & Ewing Collection

From the interview:

DG: How did you come up with the idea of combining the concept of Afghani war rugs with that of sand mandalas?

BK: I was already doing transitory work, as paintings, installations and actions using materials that would deterioriate or be swept away. But when 9/11 happened, I thought about the war rugs and it just made sense as a practice that could begin to respond to the horror of the attack, and bring in some historical context about why it might have happened. The war rugs were a response to the Soviet invasion of Afghanistan in the 1970s. America backed the resistance fighters, supplying weapons and making promises of other support. But the US pulled out after the Soviets left, and the Taliban took over and turned the country into a despotic place. So our betrayal was in some ways responsible for the later attack. It is important for us to understand this, and to work for peace. So, combining the war rug imagery with the Tibetan meditative practice felt like as appropriate a response as I could think of at the time.

What I perhaps love most about Koenen’s work is the way that kitchen ingredients take the place of warp and weft and turn war imagery into something delicate and finite. Strong imagery turned powdery and wispy, shining brighter with the fact that at any moment, the whole piece could be erased with a swipe of a hand or brush.

Given the fact that these rugs tell stories from the lives of Afghans, the high illiteracy rate in Afghanistan and the lack of infrastructure, the real rugs, their real power is also powdery and wispy, as soldiers bring back handcrafted rugs made by Afghans for the soldiers, turning the war into a commodity instead of a backdrop of life. As the rugs leave Afghanistan as souvenirs they disappear into the ether much like spices do when you spill a bit while making pie.

But then again, I’m fascinated with war rugs, with their storytelling, their history, their capturing of culture in a society where history books and museums and archives fade into the background when war is a daily reality. And what better to honor those pieces than Koenen’s rugs, as they perfectly gather those questions and problems with spices and time.

Also, the wonderful and amazing Heather has continued the conversation on the absence of the myth of the tortured crafter over on her blog! Do go check it out and join the conversation!

So being the new girl in a new town, I am actually in the process of downloading the first episode of The Mary Tyler Moore show. As I keep hearing “You’re going to make it after all…” (the only part of the theme song I can remember) in my head, I figured it is an excellent theme to this current move.

I may not have a couch yet, but as of this morning I have cutlery. Using a martini glass as a bowl and a measuring spoon as a “regular spoon” (both left by the previous tenant) the other night was fun, but it has since gotten old. Today I was buying cleaners and light bulbs and plates, all things previously bought and shared with old housemate. Thinking about what I could live without for awhile (the “wants”) vs what I really must have in order to keep things clean (the “needs.”), was humbling beyond belief.

Along with not having a couch, I also currently don’t have internet access. So I’m writing this at a lovely cafe in Alexandria (Buzz) listening to Ella Fitzgerald and Louis Armstrong, my favorite singing combo ever. Not having internet issues means not being able to look up job listings, so as I need a job to have a couch, I’m looking online at various open positions.

While sometimes these searches send you down the rabbit hole, this one has unearthed an extra bonus surprise, the work of Panmela Castro while learning more about the Global Women Entrepreneurs in Handcrafts Development Program offered by Vital Voices.

The website has a lovely write-up about the work Panmela is doing, using graffiti as a way to bring about social change! Although I’m highly biased, it always so inspiring to learn about people using graffiti and street art as tools for positive activism. You can also see the results of the Graffiteras Pela Lei Maria de Penha here.

Back in September, I wrote about the Dream Rocket, an amazing project headed up by the equally amazing Jennifer Marsh! The idea behind the Dream Rocket is to cover a (real!) rocket with quilted panels made from around the world… facilitating our global wish for peace. The panels themselves, were a bit spendy for me right now, but now you can buy your own mini panel for the Dream Rocket for $25! That’s probably less than you spend on fancy coffee each month, or maybe even week!

How many times do you get to participate in making a 30,467 square foot cozy? How many times to you get to participate in quilting a rocket cover? Now, at long last, you can do both at the same time, therein checking 2 things off your to-do list simultaneously! Such devilishly smart multi-tasking would leave you the freedom to go on to your next task like build your own totem pole or something.

The Dream Rocket will be accepting payment for panels (full-size or mini) until March 15, 2010.

The photo up top is from 5″x7″ postcards they sell over here at the Dream Rocket store. They are lovely. [Hint: I'm sure it's been a long time since you've written your gran, and they are pretty enough to go up on her fridge. Win win!]