The article, which you can read entirely here features an interview with Olek:

…”Crochet came to me as a result of being totally broke,” she continues. “I had to make a costume in NYC and I had no cash for a sewing machine. I used any materials I could possible find…I even cut my sheets into strips to make pieces. Being resourceful is in my blood as you can see. Crochet is for poor people…that’s why you can find it in almost any culture across the globe. I am just a tiny spider who walked at night in East London collecting items soon to be transformed into crocheted pieces.”

The show, I do not expect to be a mother but I do expect to die alone, will be open in Tony’s Gallery from January 27 – March 23.

Maybe he’s just like everyone else? Not so sure on the proper definition? And where “craft” begins and “art” ends?

“In 1937 and ’38, the federal government commissioned two series of photographs of Gee’s Bend. The images have since become some of the most famous images of Depression-era American life.

In earlier years, one of the primary influences on the Gee’s Bend quilt aesthetic was the newspaper- and magazine-collages used for insulation on the inside walls of homes in the rural American South.”

While I knew the second bit, I wasn’t aware of the first and immediately headed to the Library of Congress website to track them down. You can see the gallery here which is nothing short of amazing. Out of the whole gallery, the photo below is one of my favorites. As you can see, it clearly shows that newspaper and magazines were used to keep out the cold winter (and yes, it does it cold in Alabama in the winter!).

Over the past few days I’ve been thinking a lot about this photo. And how craft’s utilitarian history sets it apart from art as it surrounds us literally in sweaters and quilts and afghans, and how craft has literally embedded its kindness and quiet strength into our skin and made itself home. How the quilters of Gee’s Bend can take creative inspiration from newspaper covering their walls to keep out the cold, the same newspaper that we recycle everyday or that people leave on a bench to eventually float all over town like urban smog-colored tumbleweeds.

How craft has the ability to stimulate our creativity and our passions and still keeps us warm and cozy. It can expand in all directions, and bring us together, whether its out of necessity by a family sewing a quilt to keep them surviving through the winter, or through a knitting circle with friends both old and new. It keeps us humble and away from the traps of art world, while quietly urging us to move forward and seek new inspirations and directions. And it’s that quiet cozy push to move forward that makes me continue to fall in love with craft again and again. I know it must look a hell of a lot like art to some, but the roots of craft will never allow us to stray so far as to lose our way as sometimes happens in the big bad art world.

And, I, for one, am forever grateful and truly humbled for that, by craft’s long tradition that keeps me safe and cozy and secure with what I’m making, never failing to block out harsh comment or criticism like the simplest of insulation, newspaper keeping out the cold on a harsh Alabama night.

Over the past few months, except for a few tweets, I’ve been publicly quiet about the Occupy, 99% protests. But, if you’ve spoken to me about it in person (or saw those tweets), you would very much be aware of that fact that I don’t support them. Which, maybe to a lot of people sounds strange or sancrosanct or totally uncool, but it’s true.

To me, the whole point of craftivism is to take an issue/cause you believe in and use your craft to speak out about it. Coming up to the table with no actual issue at hand or an amalgam was never part of it. An issue: war, famine, injustice, prison rights, homelessness, university cuts, torture, inequity, environmental damage, social rights, human rights, mental health, freedom, etc. I/you/we could go on, as there is no shortage of issues to rally against!

Craftivism is about making something that gets people on the other side to ask questions about an issue, confront their own engrained opinions on a subject, and if they are willing, start a dialogue. The craft is the activism because it stirs up thoughts about an issue in the minds of the audience on their own terms, they see the work, they wonder what it’s about, they ask questions. They bring the questions to the table and open the dialogue, instead of you rushing in first. The craft opens the door to the activism, truly making the process craft + activism = craftivism!*

I also think that in countries where we have the right to speak out and yell, using your craft/creative endeavors/silence (as in silent protests/sit ins) is loads more effective than making a giant fuss. Because 9 times out of 10, the side you’re fighting against? They’re not going to listen. They’re going to dig their heels in. They’re going to join forces with their peers which they already agree with. It’s when we have the freedom to speak out, that we should re-invent ways of changing things.

By making a quilt/pillow/tapestry/cross stitch, etc., you’re given a way to enter the circle that becomes closed once you raise your voice (or sometimes even just open it!). You let them into the conversation by not yelling, you catch them off guard, daring to subvert the paradigm and let the silence guide the fight, not the cacophony.

In a world where we’re constantly tweeting, texting, watching tv, seeing ads, busy, busy, busy, silence can become our biggest weapon. People close off when we yell, but are forced to think when we’re silent or present work that asks questions or act in a performance piece. Silence gives us the time to question what’s going on, we’re disarmed by it because we’re all kept so freaking busy by our gadgets and technology. Silence strengthens us directly because we have the right to speak up.

In contrast, what made the Arab Spring so powerful? That people who didn’t have the freedom to speak out spoke up, tweeted, joined en masse in public, and in many cases risked (or even gave) their lives to do so. They did what wasn’t done, and changed the future of their countries.

So, in order for us to truly, honestly change things, we need to stop yelling, and speak out in other ways. Stitch a banner, weave a tapestry, knit a scarf, crochet a hat, embroider an old sweater with questions you want to ask, things you want to yell, problems that keep you up at night. In order to create change in people’s hearts, you need to first disarm them by catching them off guard.

They are prepared for your words scribbled on cardboard, chants, marches, fights. They have shields to hold up, tear gas to shoot, pepper spray to aim. They are used to so many ways of protest, because we have the freedom to be loud. We have the freedom to be loud, and have used it such great effect that people don’t pay attention. So when they expect noise, be silent. When they expect a hard fight, bring soft craft.

Dare to find another way to speak out so those who expect your visible rage will be disarmed by your passionate silence. Dare to look in the opposite direction in order to find the back door to dialogue.

Dare to use your craft as your activism, whether you are the 99% or the 1%. Dare to envision a world without people digging in their heels, and instead one where we step ahead towards conversation instead of backwards in argument. Dare to do what they don’t expect out of a true wish to effect change, not to just vent your anger.

By lowering our voices and offering news ways of fighting, we can raise our voices without shouting by using things such as craft as our mouthpiece. We just need to bring silence back as a force of power, instead of noise first.

*The slogan craft + activism = craftivism came about around 2003, because when I first started writing about craftivism, a term that was literally made up, no one knew what the heck I was talking about. It was the only way I could get people to a) figure out what I was saying and b) spell it! These days, it’s less of a problem, but I’m glad the slogan stuck around nonetheless! Hurrah!

Plus, how cool are the uniforms in the second photo?

[Note: how much his creation differs from that of German POW Jim Simpson. Not making a political statement, just interesting. Also: I'm not technically sure what the heck the guy above is doing, as it looks more like he's making friendship bracelets than knitting?]

1st and 3rd photographs: Bain Collection, 2nd: Harris & Ewing Collection