Miss Yoshino Rosalia Jasso is the Resident Artist of The Long Beach Depot For Creative ReUse and serves as the primary Instructor of the Creative Reuse Workshops. Miss Jasso received her High School Proficiency Diploma at age 16 and has been attending Long Beach City College, majoring in Business. She enjoys creative reuse art, reading, writing, equal rights activism and craftivism.
While I don’t know much about beauty pageants, I do know that they can offer lots of opportunities for scholarships, which is a great thing! GO YOSHINO!!!!
One of the greatest things about being involved in the world of craft is the people you meet. Over the years, I’ve come to befriend two very talented crafters and thinkers, Sally Fort and Inga Hamilton, aka Rockpool Candy*. A few months ago, Sally got the idea that some project needed to be done… and invited Inga and I to brainstorm on just what this project was. After about a bazillion awesome emails where we traded thoughts and inspirations and ideas back and forth, we kept asking ourselves questions surrounding QR codes and textiles, mainly:
Can they (QR codes) be functional and direct people to places on the internet?
How can QR codes be created in textile form?
How can designers, crafters, makers, tinkerers, artists, coders and interested dabblers use textile QR codes to send viewers to interesting places?
How can an internationally and digitally collaborative project share ways of working and increase opportunities for exposure and networking?
So happily I came across this post earlier today, which is an article I was interviewed for last year. This article is written by the incredibly lovely Brazilian journalist, Priscilla Santos, who interviewed me (along with Faythe Levine) for an article a few years ago for Vida Simples magazine. (Original article here and here.)
Translation for this article seems to come out pretty fair in Google Translate, which is great as it includes tutorials for:
Wallpapering with Xerox!
Building a fix-wheeled bike!
Making a mini guitar amplifier!
Making an invisible bookcase!
In case you haven’t checked out the DIY scene down in Brazil lately, there are some pretty amazing things going on down there! I especially recommend the work being done by Rede Nami and Anarkia (Panmela Castro), but know that there’s much more amazing work being done by others, too!
[And somewhat unrelated to this, yet still related, while looking for links I also discovered the further awesome Brazilian projects Grupo Opni and Coletivo Briza!]
I first noted this over on Tumblr. Got a blog over there? Lemme know, so I can see what awesomeness you’re up to!
*”en Brazil” may not be the correct Portuguese. Feel free to correct me! THANKS, Luiza for correcting me! Awesome!
And almost under the clunk-whomp-thwack of the train via my headphones came this almost guttural primal scream making me want to recheck the track listing to see if this really was Kristin Hersh. Not angry necessarily, just deep and true and honest and freeing. A sound full of creative power holding back zero reservations. Now if you weren’t familiar with her work with Throwing Muses and just knew of her solo work, this cover may just take you as a surprise. It seems a complete 180 turn in the vocals.
And it got me thinking, about how empowering it is to just shake it up, do something different, make people check that track listing/schedule/blog feed/show listing and just go for it. Learn a new skill, try a new route home, test a new recipe, whatever. Just need to step out of what you think you are, or what other people think you are and just say fuck* it.
Because you know what? You may just fucking** nail it like Kirstin Hersh does on this covers album. And when that happens? It feels pretty freakin’ good.
Where can you hear this amazing Nirvana covers album? Over here at the brilliant music blog that is Music is Art.