A Few Questions With.. Just Work Economic Initiative.

The Just Work Economic Initiative works to employ individuals who can’t find “traditional employment.” They recently answered a few questions for me about the work they’ve been doing!




Q: How did this all come about?

A: Through our work as volunteers in the community we heard a common concern amongst those who regularly frequent soup kitchens and other charitable organizations seeking help. While they were able to meet some of their basic needs for food, clothing and housing they were unable to find work. Hearing this, members of Grandview Calvary Baptist Church developed the idea of JustWork as a way to offer employment opportunities to individuals who would like to work, but may otherwise be seen as unemployable. JustWork officially began in February 2004 with a four-pronged strategy to assist those on the margins – offering employment counseling, a job-match program, support for those with dreams of starting a small business, and social enterprise development for individuals facing major hurdles to the workforce.

Since the last half of 2005, JustWork has focused most of its time and energy on the development of social enterprises. They wanted to assist those in their midst facing the most daunting challenges to finding work, and social enterprises seem to be the best tool available for this task.

Before the development of JustWork, a pottery studio in the basement of the church welcomed local people who weren’t able to afford classes or other studios. An open drop-in time began for people to learn play with clay and work on their own projects. The studio’s mission is to foster community, healing, acceptance dignity and creativity.

The pottery business started with the idea that it would use the existing studio and people would get paid for their pottery work. This would bring in an income as well as foster community and dignity.

Q: Why pottery? What are the benefits that people get from working there?

A: Clay is one of the easier and accessible forms of art. It is creative and completely hands-on. It is dirty but satisfying. When we don’t have much control over our lives, we can see that we can have lots of control over the clay and can make something from start to finish. We can imagine something and make it within and month-long period. This is the gift of clay, the therapy of clay.

The benefits of work here are the community that is formed as they work together, creating in a small space, the dignity that is gained from seeing their pieces bought and loved by others, and being able to work well, contributing to good work for the income.

Q: Two of the biggest rewards of working with clay?

A: We have control over the clay, as I mentioned above, that the process and the control and the molding is up to us, and that we can be creative in this process.

It is also hands-on…working with the hands and the body is both redeeming and healing.

Q: Do they find that despite their varying living conditions or situations, they connect via the pottery…not only the learning experience, but also in the craft itself?

A: There is a community that is forming in our studio. They talk as they work together about their plight, their struggle, their daily needs, their recovery. They have become friends with each other and see each other outside of the studio and work. They worry about each other and try to take care of one another.


For more information about Just Work, check out their Etsy shop and blog. Just can also follow them on Twitter over here.

Casting Off the Monday Tuesday Morning Blues.*

This adorable video was something I saw on Cinnamon Cooper’s blog, and I thought that since Mondays Tuesdays** aren’t known for their enthusiasm, this might put a little spring in your step?

Oh, and the weirdest thing I’ve ever knitted? I can’t remember what it was originally supposed to be, but I can say that it was turned into a pair of knickers at a Birmingham LadyFest a few years ago…

*Get it? HA!
**Sometimes Tuesdays feel like Mondays…

Another Knitted Wedding. And Newsworthy Sheep.

Ok, so The Sun newspaper is not known for its hard-hitting journalism like some of the UK broadsheets. But what it does manage to do superbly is remind the world that people can do some pretty fantastic things. I’ve copied and pasted the text (and a photo) from the article here, as there was no way that I could beat their original crackin’ choice of words:

A SHEPHERDESS got married in a wedding dress made entirely from the wool of one of her flock.

If you’re planning to get married real soon as well, it’s best to find the wedding ring that you’re dying to wear for the rest of your life, such as those antler wedding rings for sale online.

Louise Fairburn, 38, designed the outfit, made from the fleece of a rare Lincoln Longwool called Olivia. Groom Ian, 42, wore a woollen waistcoat. If you’re looking to tie the knot soon, Award winning wedding planning company in Toronto city offers luxury destination weddings by Designed Dream in Dominican Republic and Mexico. A day-of coordinating service is included in the all-inclusive package offered by Designed Dream if you’re looking for Toronto wedding planners.

Louise, of Market Rasen, Lincs, said: “I’m sheep-crackers. I want to prove wool is not just something for knitting bobble hats.”

Sheep breeder Ian, who first saw the dress as Louise walked down the aisle, said: “I took one look at her, my lip curled like a young sheep’s does and I started blubbering.”

Lovely. You can find other photos at coverage over at The Daily Mail and The Telegraph.

Lest this recall another knitted wedding, you might be thinking of Cast Off’s knitted wedding for the marriage of Freddie Robbins and Ben Coode-Adams. Clicking on the photo of them pedaling off in wedded bliss will take you to their wedding photo gallery. To read the new adventures of one of the forces behind the happiness that is Cast Off Knitting Club for Girls and Boys, check out the magical world of the shop Prick Your Finger! Their always interesting and amusing blog is over here.

EVEN MORE SHEEP NEWS!
Also, remarkably in sheep news today in The Sun: “Ram-bo slides down high wire,” ram gets caught on zipline by horn. No, really.

Hand/Eye Magazine.

HAND/EYE magazine just may be my new favorite thing. Design, Creativity, Beauty, Philanthropy. How am I only just now discovering this gem? Through the Twitterverse, where happily, they found me! Thank you technology!


HAND/EYE’s Mission Statement:

HAND/EYE is an independent, international publication which explores the nexus between design and development, culture and commerce, art and craft, and environment and ethics. HAND/EYE’s goal is to engender intelligent debate among artisans, exporters, designers, artists, wholesalers and importers, retailers, and consumers so that all may make smart, ethical, and inspired decisions about their activities.

HAND/EYE articles will discuss design as a tool for development and income generation, as well as for environmental and social progress. The magazine will also discuss innovative and ethical retail practices as a force for more enlightened and informative consumerism, and will look at NGO programs addressing artisan income generation and community well being. We will showcase relevant new product for the consideration of retailers and consumers.

Through the work of accomplished photographers, we will also look at artisan life in a visual context. In interviews with inspiring creators and do-ers of all kinds, HAND/EYE will offer nourishing food for thought to all readers.

Proceeds from sales of HAND/EYE will be divided among several non-profit agencies working to address artisan issues.


While I’m well impressed by all of it, it must be said I’m especially in love with the textiles section. Thanks HAND/EYE for all the beautiful and informative and helpful work that you do!

Is It the “Real Truth?” Or Is It Just A “Yarn?”

One of the coolest things about having this blog and writing about craftivism is that people send me amazing links, stories, and photos they think I’ll like. And they are, without exception, all incredibly inspiring and awesome. This one got eaten by my inbox for a bit, but nonetheless, wanted to share it with you. The photo and article come from here. I wish I knew more about the person who sent me a very mysterious email about it, but, for now, it shall remain a mystery! Have anything craftivism-related or inspiring to share? Get in touch!

Politics/conspiracy theories aside, read about what he’s doing if you don’t agree why. The what part is why I’m posting it. I’m staying out of it and loving the engagement of the community and quest for open dialogue.

There were conspiracy theories abound in Stroud town centre today, as a street performer encouraged shoppers to question the ‘truth’ behind the war on terror.

The performer, who lives in the Stroud area, held a ‘truth’ sign as he worked an old wooden spinning wheel to symbolise the difference between the ‘real truth’ and the so-called ‘yarns’ that were spun after the 9/11 terrorist attacks in America. Wearing white face paint, a brown leather jacket and a black top hat with feathers, he said the point of the exercise was to test people’s reaction and inspire others to debate the issue.

“Really it is just a visual pun,” he said.

“But I hope it encourages inquisitive people to question the war on terror because it is something that is going to affect us all for a very long time to come.”