past? or present?

One of the most important bands in my life has got to be Huggy Bear. Their album “Taking the Rough With the Smooch” made me finally realise that I wasn’t alone and that real art (craft?) doesn’t have any formal constraints even though you may think it does.

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So with that album title in mind…

As for the absence, well, lately it’s been all about two things: moving (again!) and libraries.

Currently I am at a very temporary abode surrounded by stacks of craft supplies, books and stripey articles of clothing. Besides working on my near-constant plan of world craft domination, I am knee-deep in storylines, research proposals and random xeroxed pieces of paper.

Happily, Craft Revolution has evolved, giving credence to the hope that people will start thinking a little more and consuming a little less. If you’re entirely ready to put this thought into action, then you could do no better than having a little fun with microRevolt’s knitPro. It is my new favorite thing, as I just used it to show how I could knit Colonel Sanders, so watch out!

It makes me unduly happy to see all of this interdisciplinary thought between art, craft, politics, materialism, ad nauseum- because it’s not about getting back to basics, it’s about learning from the past in order to chart your future.

Which is why I’ve had my head down researching the past lately. Because nothing gives me more energy and inspiration than taking something that at first seems so humbling (mainly knitting) into a larger conceptual mode of thought.

My old housemate was from Northern England, and I remember coming home one evening and hearing this really strange folk song which to my ears appeared to be sung by the oldest and most tone-deaf people on earth. Well, they were old and tone-deaf, but they also kicked ass. It was a video about the handknitters of the Dales. Many times I passed the book, (The Old Hand Knitters Of The Dales by Marie Hartley & Joan Ingilby, 1951) on the kitchen table immediately thinking about the aural assault that I heard that night.

Like I previously was scared by my local co-op by all the hippies* on the front lawn, I finally realised that just because it at first seems a bit creepy, that generally the problem is that you’re just not looking in the right place. Once I finally braved the mass of hippies, I discovered the best steamed greens and vegan double chocolate cookies in the world. And likewise, people like Clara Sedgwick have now become my crafty heroines instead of Lily Chin.

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Go Clara!

*Okay, all hippies aren’t that bad. Just a bit scary to me en masse.

but is it art? (who cares?)

As I’m currently in the process of applying for research programmes, PhDs and scholarships (at the last possible minute), it’s been a bit slow of late. I also no longer have email at my house, which means that I haven’t been answering my email for the past two weeks.

But I promise that soon enough I will reveal the ridiculousness that was my first ‘art’ (don’t call it ‘craft!’) piece, unleashed to the public March 18th. On a wall, not a scarf around someone’s neck.

If you’re feeling antsy about what’s currently inspiring to me in the world of craft, check out :

*Knitted Hyperbolic Space, A Gallery of Hyperbolic Models, and an article about crocheting the hyperbolic plane. (Many thanks to Maddie for the links!)

*the knerdy reading that is knitknit

*the ‘i wish i was born in the ’30s’ joy that is Designing Britain 1945-1975

*the amazing and inspiring work of Germaine Koh

*i heart Freddie Robins

*the happy quirkiness that is the work of Deirdre Nelson

And that’s (happily) only the beginning of what’s out there.

excuse me, while i interrupt…

It’s amazing how much time flies by when you’re doing nothing but working on an ‘art piece’ and constantly having an internal dialogue with yourself regarding the whole ‘art vs. craft’ melee.

And it’s funny how when you start making things with your hands, you stop checking email, turn off the television, turn up the stereo, and start thinking more in images than in words.

This week has totally made me realise how my grandmother’s grandmother’s hands must have ached after having to make xx number of stockings/sweaters/socks in order to put food on the table. And how despite the fact that we are lucky enough to live in an age where clothing is provided for cheap and in close proximity, that there is nothing more rad than holding something you constructed with your own two hands- especially something that you could have bought at the local megamart.

And back to working…

small things.

Tonight I was talking with someone who was in Sri Lanka during the tsunami. She was talking about how the woman she was with is now suffering from Post Traumatic Stress Disorder. Luckily, she is American and has a hefty support network.

But for those who don’t, there’s a little project out there called The Tsunami Quilt. Although the deadline for contributions has already passed, it’s a perfect example of how you can put your crafty and artistic talents to good use.

Happily, there are loads of photographs here.

I’m not suggesting that the efforts of one quilt are going to counteract all the damage that was done last December. But noting that sometimes when things seem so huge and like you can’t do anything to help, you can.

Hooray for tiny altruistic acts.

never enough color.

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This is a hastily-taken photo near the Kingsland Road in Hackney, one of the neighborhoods on the tip of gentrification in east London.

The juxtaposition of the new bar next to shutters with awkward graffiti, the old Victorian buildings with varying architecture and the all-black clad hipsters on the street make me conjure up the smell of smog.

And make me want to strew skeins of yarn throughout the streets to bring color into the bland urban landscape.