The Holes We Can’t See.

I’m waiting in the car dealership. My car alarm has being going off at random, pissing off my neighbors as well as myself. There’s a guy yelling at his wife in either Ukrainian or Russian and the television is on the news which is warning us (always warning us!) and informing us of war, fire, 9/11, fear, terror, sturm und drang, good, evil. The businessman is finally off the phone, where he was talking of meetings and sales and circuits and tradeshows and now he’s just staring at the cheap carpet, his hand resting on his chin, his phone still held up to his ear. It’s raining outside and the Ukrainian (or Russian) woman sighs loudly.

I have emails to answer and am so behind trying to do so much at once, frustrated that I’m not able to answer students anymore (well, I do, but there’s a looong response time) or sleep enough or fully concentrate on my volunteering or research what I want because I’m working full time and the day to day life that we all encounter loves to get in and muck things up. It mucks all of us up. We’re all yelling or sighing or staring at the carpet in some way, even if we don’t look like it from the outside.

Lately I’ve had more time out because I’m still somewhat getting used to my “new normal,” from the fact that I lost a great part of the last 15 years of my life to depression and anxiety. Told what I thought was 100% was actually 80% most the time, dipping down to 60% for periods of up to 3-4 months and that literally I was going to have to “re-learn how to be happy.” That there was a reason why my relationships, energy, sleep, and everything else suffered, all down to a little pill that needed to be switched to another pill to react not just with my serotonin levels, but also my norepinephrine. And all those years I read self-help books, pored through Buddhist texts, crafted, meditated, exercised, took supplements, cried, prayed, screamed, hid, and most of all, learned.

And I wonder what I can take from all those years as I move forward with my life. The irony of helping myself get better with craft… And then be told later, that wait, there’s a better better than better. That I would be able to be the same self I was in 1993, but then look in the mirror and it would be 2011. As I work on research and speak and write about the voiceless people who use craft in less fortunate companies to speak out, I feel so fortunate, but also a mix of shiny and new and well worn. I may not know much about being at war, being hungry, being homeless, being so many things. But I do know about being sad, being unable to form the words (although luckily I have the great fortune to be able to speak them publicly), being frozen in terror on a hair trigger, being lost, being lonely, being unable to get out of bed, being able to feel the touch of a loved one (new or old).

We know how to fix things that are broken that we can see, we can see the leak stopped, hole repaired, cut bandaged, mess cleaned up. But what about the the broken things we cannot see? The ones that inhabit our insides, the ones we can’t bandage or see concretely mended? Well, for one, we talk about it. We continue to love and learn and laugh and grow and ask and hug and move forward. We hope that better things will come, whether that’s that someone will finally understand or hold us until we sleep at night or cry with us or hold our hand or something else entirely (or all those things together).

We stand strong when the waves of sadness or terror or panic or fear wash through us, knowing that they are just that, they are waves. They will wash through us, they may knock us down, but they will not destroy us. We speak out instead of keep quiet, whether that’s going public or telling a loved one or telling your dog or making a craft. We do it for ourselves, both now and present, and we do it for all the others that aren’t able to do so yet… Because the more we do that, the stronger we become, both ourselves and our arsenal of coping, and the more we are able to help others.

And most importantly, we realize (and internalize and process) that we are not alone.

xx

Craftivism in Belarus!

There are few things I love more than seeing the craftivism love spread to other countries, which means I was super excited to see that there was a blog post today over at KYKY.org on craftivism!!!

This is especially exciting to me as in college I studied Russian for 4 years, although I can do little but read Russian phonetically these days… Meaning I almost peed my pants when I saw this.

According to its Facebook page, KYKY is a “an on-line magazine which tells its readers about interesting cultural phenomena: music, art, design, fashion, literature and city from Belarusian observer perspective.” Wanna know more about what’s going on in the craft/art/music scene in Belarus? You can also follow KYKY on Twitter over at @kykyorg! Thanks so much, KYKY for writing about craftivism!

What’s fascinating to me are the ways in which different countries and cultures take craftivism and bend its tenets to its own ideosyncrasies, preferences and current situations. And seeing something written about craftivism in a language I studied for so long is just so freaking cool I had to share it.

Because using your creativity and your activism in joint force is not an American thing or a British thing or a liberal thing, it’s a universal thing that’s been happening since time began! The term “craftivism” is just an umbrella term to hang the type of work on, as often it’s easier to understand/explain/internalize/share what we’re doing if we have a name to call it.

By giving it a name, we allow ourselves to sink into what we’re doing and let it become a part of our lives and ourselves, truly getting behind the honesty and grit and reality of our work as we work to help the world understand how we see it. Because we know, that it’s not necessarily that we want people to agree with us, it’s that we want people to see how they can use their creativity as their mouthpiece and speak out for what they believe in.

Hence, our actions give others permission to think, make and create as they please. By internalizing the creative process and letting our work speak for us, we become permission givers to those who might have an inkling of an idea of something to make, but aren’t so sure if it’s crazy or stupid or pointless. That’s our whole job as makers, to share with people that it’s okay to feel, to scream, to care, to cry, to laugh, to love.

(Also included in the article are some pretty amazing craftivists like Radical Cross Stitch and Craftivist Collective! Always chuffed to be included with such great and inspiring company!)

*However, if I got it wrong and this is in Belarusian, and not Russian, someone please let me know!!

Craftivism Hits the Miss California Beauty Pageant!

The subject line of this post is something I never even dreamed I would ever type, but, YES!, it’s true!

 

(Text from article, click text or photo to see the whole article!)

 

 

Miss Yoshino Rosalia Jasso, age 17, has been chosen as a State Finalist in the National American Miss California Pageant to be held August 7, 2011, at the Anaheim Marriott Hotel in Anaheim, California. The National American Miss pageants are held for girls ages 4-18, and have five different age divisions, and are one of the best things to do in Long Beach if you’re on vacation with your family there at the time. Yoshino Rosalia will be participating in the Teen age division and will be modeling for the Formal Wear competition, a “first-ever” gown designed by her that includes an over-skirt created with plastic bags. ….

Miss Yoshino Rosalia Jasso is the Resident Artist of The Long Beach Depot For Creative ReUse and serves as the primary Instructor of the Creative Reuse Workshops. Miss Jasso received her High School Proficiency Diploma at age 16 and has been attending Long Beach City College, majoring in Business. She enjoys creative reuse art, reading, writing, equal rights activism and craftivism.

While I don’t know much about beauty pageants, I do know that they can offer lots of opportunities for scholarships, which is a great thing! GO YOSHINO!!!!

Craftivism, ftw!

QR-3D: Can Textile Versions of QR Codes Work?

One of the greatest things about being involved in the world of craft is the people you meet. Over the years, I’ve come to befriend two very talented crafters and thinkers, Sally Fort and Inga Hamilton, aka Rockpool Candy*. A few months ago, Sally got the idea that some project needed to be done… and invited Inga and I to brainstorm on just what this project was. After about a bazillion awesome emails where we traded thoughts and inspirations and ideas back and forth, we kept asking ourselves questions surrounding QR codes and textiles, mainly:

Can they (QR codes) be functional and direct people to places on the internet?

How can QR codes be created in textile form?

How can designers, crafters, makers, tinkerers, artists, coders and interested dabblers use textile QR codes to send viewers to interesting places?

How can an internationally and digitally collaborative project share ways of working and increase opportunities for exposure and networking?

And thus, QR-3D was born.

And asks for YOUR participation should you be obliged to join in this project with us! Some amazing codes have already been sent in, which you can see over here and here, over at the QR-3D pool at Flickr.

*Be sure to go read the Rockpool Candy post on how she made her QR code using codes from her and her husband, combining them to be a “matrimony code,” the end result being the headboard for their bed!! Holy heck it’s awesome.



P.S. Recently I asked to participate in an Artist Series over at Unconsumption. You can see my project here, where I used a Radical Cross Stitch tutorial on how to cross stitch on clothes to cross stitch Unconsumption’s logo Mr. Cart on to a t-shirt using a chart made by Cat Mazza’s knitPro!



Cary Grant, the Knitter!

This was originally posted here on June 7, 2010. But because it’s especially lovely, I’m serving it up again. And just how do YOUR hands* look?


The title pretty much says it all. Here’s a gem of a clip from Cary Grant’s 1943 movie, Mr. Lucky:





Many thanks to the consistently awesome Step for sending this to me!





*To figure out what I’m talking about above, watch the video. Definitely a technique I haven’t tried when teaching people to knit?