Activism Is Not A Four-Letter Word

This is a post from 7 years ago that a lot of people still visit. The farm is the lovely Beech Hill Farm and run by the equally lovely Julia Desch.

Dictionary.com defines activism as “The use of direct, often confrontational action, such as a demonstration or strike, in opposition to or support of a cause.” This is the definition I have often been presented with the minute I mention either craftivism or activism. At the mention of these terms, some people rear up and want nothing more to do with the discussion. When such a negative definition is so commonly applied, it isn’t hard to see why feathers are ruffled by even a whisper of activism.

But my own definition of activism lies closer to this, “Activism, in a general sense, can be described as intentional action to bring about social or political change” from Wikipedia. It continues with “The word ‘activism’ is often used synonymously with protest or dissent, but activism can stem from any number of political orientations and take a wide range of forms, from writing letters to newspapers or politicians, simply shopping ethically, rallies and street marches, direct action, or even guerilla tactics. In the more confrontational cases, an activist may be called a freedom fighter by some, and a terrorist by others, depending on which side of the political fence is making the observation.”

Activism (or craftivism) is less about a call to arms and more about a call to act for change. Although there are negative ways one can bring about change, the majority of activists I know are working for the common good, attempting to bring about illumination instead of darkness. By negating a construct and stripping it of its positive intent, the more commonly used definition only breeds fear and unwillingness when in fact every time you make a conscious choice, you are being an activist. In choosing to buy one brand of yarn instead of another due to the way it was produced or by choosing to ride your bike instead of drive, you are being an activist.

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The past two weeks I have been living in rural England on a small-scale farm. I can’t think of a time when I have been more inspired or been taught more lessons or been shown so much hope in such a short span. I have been connecting and meeting individuals who continue to farm despite all the obstacles in their paths. After all the governmental and financial restraints have been agreed to, there seems to be little reason to continue an agrarian lifestyle.

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As we send all of our textile needs to further shores where people are paid less to work more, resources that the small-scale producers have relied on since the Industrial Revolution have vanished, leaving them trying to fill in the gaps. And as it becomes more and more difficult for small-scale farmers to survive, traditions and methods are lost in the name of technology and progress.

But there is a sense of activism in the air here as people strive to continue to produce wool and fleece as they once did when all the factories where up and running and could take in small quantities of fibre to be prepared. Out of love and determination, activism is alive in its most positive sense- as individuals try and band together to keep traditional methods afloat despite myriad setbacks. In watching their strength and learning from their dedication, I am reminded again and again of why I am not ashamed to call myself an activist.


Interested in learning more about the state of British wool? Go check out Wovember, a blog celebrating all the great things about British wool! To go hear (!) more about British wool, go have a listen to The Sounds of Wool!

Lisa Congdon’s Handlettered Anais Nin Quote

This came to my attention over in a post over on the fabulous Brain Pickings. If you haven’t checked it out already, you should sign up for the weekly Brain Pickings newsletter, which I was first introduced to via Colleen Wainwright’s newsletter.

You can see more of Lisa’s amazing handlettering work here. Or learn even more about her on her website, lisacongdon.com.

It especially resonated with me because of how I think of craftivism. How, if anything, it connects us. To ourselves, to others, to the world. And sometimes, when I feel broken, it connects me even more so.

This quote, elucidates just how sometimes broken can make you better, which is something I can get behind, can’t you?

5 Questions With… (New Craftivist Interview Series!)

So, while I work on compiling on my various resources for craftivism, I’d love to know more about *yours.* Awhile ago, I asked on Twitter if anyone would like to participate in a new interview series for this here blog, and got some takers, whose answers you’ll see here soon.

Likewise, I was wondering if some of you readers might be interested in sharing your craftivist thoughts and activities? If so, feel free to let me know here in the comments, via @craftivista over on Twitter or by emailing me directly.

Here are the 5 questions I’ll be asking, although you’re free to add your own if there’s something else you’d like to share. Since this series is just starting, the exact questions may evolve somewhat over time. The point here is to share how you interpret craftivism with words and/or photos. I look forward to hearing and sharing your stories!


1. In a sentence, how would you define craftivism?

2. What craftivist projects have you been involved with and/or are you doing now?

3. Has craftivism changed the way you’ve looked at craft and/or activism? If so, how?

4. What causes/organizations do you turn your craftivism efforts towards? How did you come to choose them?

5a. Do you have any craftivist-related resources you’d like to share that helped you become craftivi-tastic? Or that you’d like people to know about?

5b. Have any of your own projects you’d like to share?



Craftivism in the News This Week… Suh-weet!

Text from here. Photo from here.

On Monday I got an email, followed by a phone call with Bill Harris who works for the city.

He was very nice, and said the city’s hands were tied and they tried to find a way to keep them — but they have to go.

Councilmember Lorie Zapf is collecting emails of support at loriezapf@sandiego.gov to show community backing and find a way to keep them in Clairemont. Send her your story, and let her know how much you like them!

Bill Harris gave me this statement to post:

The City is forced to announce that the Stop Sign Flowers must come down. Even with the great community spirit this effort has generated, there are just too many restrictions to overcome. City staff looked through state law and local policies trying to find some way of allowing the flowers to remain in place. Unfortunately, particularly with traffic control signs and including all other City assets, there is just no way to retain the works where they now are.

We hope that the flower-makers will work with other site owners – private businesses, other agencies, business improvement districts and community groups – to find new homes for the flowers. This is a fun program that should easily capture the imagination of our communities in other, less restricted, locations.

City crews will not remove any of the installations for the next ten days unless they become a hazard. It is hoped that those who originally installed the flowers will take that time to remove and preserve the work. Following the ten day period, City crews will be instructed to remove and dispose of anything affixed to City assets as it is seen or reported. The yarn and leaf structures cannot be saved when removed by City staff.

I will be available to answer specific questions about the City’s direction via email from billharris@sandiego.gov

For a map of San Diego street flowers go here.

See how you can make more here.

One of the sweetest things about this project is that the self-proclaimed “knitting guy” started to learn to knit “to teach my daughter. She received a “learn to knit” craft kit as a present, but the instructions were sparse and hard to understand. So, I decided to learn how in order to show her. I had thought about learning for a few years, so this was just the push I needed. That was about four years ago, and we have both been knitting off and on since.”


Also, there have been several awesome articles online about craftivism lately:

*Stir to Action piece from the Wellington Craftivism Collective
*Crafting the Future We Want over at Tck Tck Tck
*A lovely interview with the lovely Craftivist Collective over at HUCK magazine


And if that isn’t enough, and you’re STILL feeling crafty, go check out the the Blood Bag Project. Click the pic to see the gallery of submitted blood bags. You can also follow the project’s progress here

Now go and make somethin’ now, won’t ya?

x

Hanne Bang’s “In a War Someone Has to Die” Project

Chances are high that you have read about this already, somewhere like Mr. X Stitch or Radical Cross Stitch.

However, I wanted to post this for the people who haven’t seen it or who don’t already know about the work of Hanne Bang, as this project introduced me to her, too!

For those that are familiar with what I write, you won’t be surprised to see this. I’m from a military family, have a cross stitch series of anti-war graffiti, and am deeply saddened by what my country is mired in, although do applaud the many kindnesses that have been done by our soldiers without praise or media attention or selfishness.

Growing up my mom always told me, “No one wants peace time like a soldier.” A shortened version of the longer quote by Douglas MacArthur quote.

I’ve been meaning to write this post for awhile now, but recent news events regarding the war have left my heart heavier than it’s been in a long time. And I know, with all my heart, that my mom and MacArthur were right.


Text and photo from here:

This art project is called “In a war someone has to die”.
I am going to find women from all over the world who will be a part of it.

A couple of years ago I happened to zap by a TV program, in which a journalist was interviewing a professional African soldier. To the soldier`s great disappointment he was out of work at the moment – because there was no war in his region. The interviewer asked the soldier if he was afraid of dying, and the soldier said: “No I am not afraid of dying. Are you afraid of dying?” The interviewer answered: “Yes I am afraid of dying”. Then the soldier said, without any sentimentality: “In a war someone has to die”.

This little dialogue, and the words “In a war someone has to die”, returned to me over and over again. Of course I knew that in wars people die, but suddenly I saw the essence of war and the reality of it very clearly. These words are the main element in the art project. I use this sentence – these harsh words – in a feminine expression, as handkerchiefs and embroidery are.

Be a part of this projekt:
I would like to invite you to embroider/sew the text “In a war someone has to die” on a handkerchief. The text has to be in your own language. If you also want to make a symbol or something else on the handkerchief you are of course welcome.The handkerchiefs will eventually be sewn together into a great wall blanket.(hopefully 200-300 handkerchiefs) It is a commentary on the war and an act af solidarity to all those who must send husbands, fathers, sons, daughters and sisters into war. In a war where someone has to die.

Facts:
Please embroider the tekst on a handkerchief;
“In a war someone has to die” in your own language/mother tongue.
Deadline: june 2012

It is not yet scheduled where it will be exhibited,hopefully internationally. Hanne Bang, Saettedammen 18, 3400 Hillerod, Denmark.

Remember to send me your name and country – for the exhibition catalog.

You can either use one of your own handkerchiefs, or you can write me and I will send you one, in an envelope with a reply coupon, (cost free for you).

Whether you know how to embroider or not is not essential at all. All kind of stitches and handkerchiefs can be used.

If you have any questions you are more than welcome to write here on this page or send me an email.

Mail: hannebang444@gmail.com
Website:www.hannebang.com