Putting the Needle On the Record.

The other week I was flattered to have both a reporter and a photographer come to my house for an article for the News & Observer, my local paper. To read the article, you can either click here or click on the photo above.

I really like this article because it talks about how much I’ve failed over the years. Not failed in a pathetic way, but failed in a “I know I’m put here to do something and I’m going to find it” way. I’ve screwed up so many things along the way it’s laughable, and in time I’ve learned that all those screw-ups weren’t really screw-ups after all, just lessons to be learned.

Over the years I’ve learned to ask questions, explore new things, breathe deep, laugh at myself, apologize when necessary, pack a suitcase in 5 minutes and how to channel both MacGyver and Martha Stewart when something breaks. Time has taught me that challenging yourself and your ideals is the only way to truly move forward.

So, today I thought I’d link a few stories of late regarding people who have used their knitting for good, whether charitable, entrepreneurial or just plain fun.



School Kids Knit for Teddies for Tragedies

Designer Uses Her Flock’s Fleece for Clothing

Women Create Village With Knitting Needles & Yarn

Brain Exercises (Like Knitting!) May Delay Memory Loss

Menno Boldt knits for good, in his Lazy Boy, watching sports

Girl Scout troop makes 130 hats and scarves for local cancer patients

Madison Senior Center knitters in Huntsville, Alabama knit for preemies

Edmonton group (minkhasweaters.com) sells handmade Bolivian sweaters


Warm Heads, Warm Hands, Warm Hearts: Helping Nepal family earn a real living


I have no idea why the link spacing is so weird today. Oh, and wondering why my eyes are closed in one of the article’s photos? Well, let’s just say that’s pretty much the state of every photo people take of me!

Creativity Wins Again.

Some girls may have had Auntie Mame to look up to if they found themselves worried about being single later in life, I had Miss Eglantine Price from 1971’s Bedknobs and Broomsticks. Played by everyone’s favorite amateur sleuth from Maine, the always wonderful Angela Lansbury.

She lived in an old house in the countryside in England, were she was taking lessons to become a witch via correspondence school. Thanks to WWII and the bombing of London, she ends up with 3 children taken away from the city for safety’s sake. This clip is the beginning, which is just the start of the loveliness.

Perhaps one of the most endearing things about Eglantine Price’s character is the way she so earnestly wanted to become a witch to help the war effort. How did she wish to exactly? Well, you’ll just have to watch the movie. But, I will say it’s a quite sweet example of how with a little extra thought you can use your creativity to help further any cause or effort you wish.

And in case you missed it, there was a lovely bit about craftivism and Knitting for Good! in the Times Online the other week, which you can read here. Also, online is the Craft Cartel Podcast I did with Rayna, which you can listen to here! Thanks so much!

Activism Is Not A 4-Letter Word. (Reminder)

Today’s post is a re-post of something I wrote in November 2005. If you’ve read Handmade Nation, you’ll see that I have an essay in the book with the same name. This original post was what led to the essay a few years later. I’m reposting it here because sometimes it’s good to be reminded of just where your heart lies.

Two things for today, this afternoon I’ll be on The State of Things from about 12.40 until 1EST, and tonight I’ll be talking about craftivism and the book at Barnes & Noble in Cary at 7pm.


Dictionary.com defines activism as “The use of direct, often confrontational action, such as a demonstration or strike, in opposition to or support of a cause.” This is the definition I have often been presented with the minute I mention either craftivism or activism. At the mention of these terms, some people rear up and want nothing more to do with the discussion. When such a negative definition is so commonly applied, it isn’t hard to see why feathers are ruffled by even a whisper of activism.

But my own definition of activism lies closer to this, “Activism, in a general sense, can be described as intentional action to bring about social or political change” from Wikipedia. It continues with “The word ‘activism’ is often used synonymously with protest or dissent, but activism can stem from any number of political orientations and take a wide range of forms, from writing letters to newspapers or politicians, simply shopping ethically, rallies and street marches, direct action, or even guerilla tactics. In the more confrontational cases, an activist may be called a freedom fighter by some, and a terrorist by others, depending on which side of the political fence is making the observation.”

Activism (or craftivism) is less about a call to arms and more about a call to act for change. Although there are negative ways one can bring about change, the majority of activists I know are working for the common good, attempting to bring about illumination instead of darkness. By negating a construct and stripping it of its positive intent, the more commonly used definition only breeds fear and unwillingness when in fact every time you make a conscious choice, you are being an activist. In choosing to buy one brand of yarn instead of another due to the way it was produced or by choosing to ride your bike instead of drive, you are being an activist.

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The past two weeks I have been living in rural England on a small-scale farm. I can’t think of a time when I have been more inspired or been taught more lessons or been shown so much hope in such a short span. I have been connecting and meeting individuals who continue to farm despite all the obstacles in their paths. After all the governmental and financial restraints have been agreed to, there seems to be little reason to continue an agrarian lifestyle.

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As we send all of our textile needs to further shores where people are paid less to work more, resources that the small-scale producers have relied on since the Industrial Revolution have vanished, leaving them trying to fill in the gaps. And as it becomes more and more difficult for small-scale farmers to survive, traditions and methods are lost in the name of technology and progress.

But there is a sense of activism in the air here as people strive to continue to produce wool and fleece as they once did when all the factories where up and running and could take in small quantities of fibre to be prepared. Out of love and determination, activism is alive in its most positive sense- as individuals try and band together to keep traditional methods afloat despite myriad setbacks. In watching their strength and learning from their dedication, I am reminded again and again of why I am not ashamed to call myself an activist.

Weekend, We Hardly Knew Ye.

I grew up in Charlotte, North Carolina and spent a good half hour every Christmas holiday with the bears above, watching them sing their songs at the mall. As this was in the early 80s, these bears were super cool because they were better than the band at Chuck E. Cheese.

I had the pleasure of finding them while with a friend’s 5 year old not too long ago and it was indeed a very happy reunion as they still sang all the same songs. In the same order.

The run-up to the holidays this year will be spent wrapping packages and trying to sell people pretty handmade things in a little local shop as opposed to mass-produced things. I’m trying to remind myself of the excitement like the bears above bring, not the freakout, what-the-heck-do-I-get-for-this-person excitement which is not as fun.

Am off to work again perfecting my package wrapping and bow placement, but wanted to quickly say thank you to Etsy for the wonderful Q & A they did with me!

Also, if you’re still trying to find a pretty calendar for 2009, check out this one that you can receive from Mibo when you sign up for the newsletter over here.

Full Circle. (Kinda Sorta)

I first started really thinking about knitting and its relation to community and theory when I was in graduate school at Goldsmiths College and therefore involved with the Centre for Community and Urban Research, headed by Michael Keith.

During that year I fell in love with ethnography and Walter Benjamin and felt literally as though my head was cracked open. It was the first time that I understood that I wasn’t the only one who was fascinated by the dance and beat of the city, or hell, even knew there was an almost audible tone separate to each city. Or energized by discovering how people interacted with their communities and totally infatuated with the pulse that was almost palpable on the streets of London whether it was early morning before setup at Spitalfields Market or trying to maneuver around people in Oxford Circle or lost on purpose on the streets surrounding Brick Lane.

One of the first books we read that year was The Fall of Public Man by Richard Sennett. I remember talking about the book excitedly with my friend Katherine in our favorite coffeeshop across from the college. When I started talking about my dissertation topic, on knitting, community and DIY, I was wondering if I was actually onto something or had taken one too many long walks on the Thames alone.

I was well surprised when I read that earlier this year, Sennett wrote a book about crafts, simply titled The Craftsman. And I was even more surprised when an interview I did about my craft book, Knitting for Good! was on the same radio show this week as an interview with Sennett on his craft book! The second I found out, I was immediately reminded of the day we went around the table at the Centre and told our advisor (mine was Michael Keith) about the ideas we had for our dissertation…many of them based on the theories and books we had read during the previous year. I still remember several of me peers saying, “Knitting?!? Really?!?”

Four years later, Sennett and I are interviewed about crafts on the Wisconsin Public Radio show To the Best of Our Knowledge along with Handmade Nation’s Faythe Levine and Cortney Heimerl. The show, “Reconsidering Craft,” can be listened to online here. What a strange, small world.

Rediscovered The Faint this morning. Just what I needed.